As a result, it’s ideal for them to die abruptly to establish that things are going downhill. We don’t get to know much about them at all besides the fact that they’re elite soliders. If we’re continuing to use Shingeki no Kyojin for examples, then the point of Lynne and Henning is to die early on in S2 in order to demonstrate the dire situation. It’s unreasonable to expect a minor character who fulfills a minor role to be fully developed. That’s why they’re included within narratives in the first place. The reason why it’s okay is because flat characters are supposed to serve a specific purpose. Sometimes all a flat character gets is their little quirk or favorite saying or belief before they bite the dust or before the series ends altogether and that’s okay. The pacing of the series is already all over the place due to frequent flashbacks. Imagine how slow Shingeki no Kyojin would be if every soldier and fleshed out before they’re killed. Episodes would strain to cover all these character developments, which would leave no time to focus on the development of more central characters. If every single character turns out to be both nuanced and complex, then the story would probably not progress. Here are some reasons I thought of which hopefully explain why some characters should just be flat characters. The inclusion of a few flat characters does not single-handedly ruin an anime series. And I’ll stand by that statement if a show’s cast of characters primarily consists of flat characters.īut I would also argue that flat characters are often needed in narratives (which includes anime). I know I’ve implied as much whenever I’ve denounced a show as having only flat characters. In other words, they’re static and simple characters.Ī lot of viewers complain that flat characters only bring harm to a series. Said literary personality is typically defined by one kind of personality trait or characteristic.” ( Spoilers for Shingeki no Kyojin and Final Fantasy 10 in this post)įlat characters are defined as “characters who do not undergo substantial change or growth within the course of a story. Viewers are always so quick to condemn flat characters.
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